Monday, December 31, 2012

Francisca & D - Latest collection now available online

It always seems like I hibernate from blogger land for too long while I'm focused on stuff elsewhere. Truth is, I find it harder and harder to multi-task as age creeps up on me. So now we are at the end of another year and I surface to find my blog looking at me with disgust for neglecting it.


So lets update it with something significant. Our new collection is out. It has no name, on purpose. Cos if you like it, we will keep it alive for eternity. Or at least till they no longer manufacture the fabric. And then we will probably keep the style but change the fabric. It depends, I guess, on a variety of factors. But I never understood how anything goes 'out of style' if there is a constant demand for it.

I learnt a lot in producing this line of clothing. Mostly from this book. It really is invaluable if you have plans to manufacture your own sewn goods. Go subscribe to the blog too. Ms Fasanella is a well of useful information and very generous with dispensing it.

I'm proud of this collection. All the clothes are produced in-house and manufactured in as lean a way as I can manage it. I'm also proud of the fact that I wrote the website myself and figured out all the tech stuff with a bit of trial and error and with cogent help from the support people of Webfaction, our host. It was no mean feat, for a middle-aged, untrained, near/far-sighted stick-in-the-mud to accomplish. Very satisfying.

Merry Christmas, all, and have a Happy New Year!

Tuesday, March 6, 2012

Patterns and Pattern-making

Sale on paper patterns ends today, March 30 2012. Get yours in by midnight GMT, or a couple of hours after, and as long as the check-out registers the discount, your order will still be processed :)

Did you know that my PDF patterns are now available in print? As in, like the traditionally packaged paper patterns that you might buy from Butterick or Vogue.

Actually, mine aren't all that traditional. For one, the patterns proper are printed on sturdy white paper, not on thin tear-able tissue (that's traditional). And B, the instructions are printed in booklet form, not on a large sheet of newsprint that you have to turn this way and that, and flip up and down, to read.

And in celebration of moving my operations back home. I am having a half-off sale of the paper patterns for a limited time only! If you'd like to see what that looks like, please follow the pattern links on the tab bar or on the side bar. Well, let's just make it easier for you...

The discount will be taken at checkout AND if you order more than one pattern, you get to enjoy combined shipping rates! - that is sometimes tempting, isn't it?. I ship internationally but please enquire for rates if your destination country is not listed.

I've discovered that I really enjoy pattern-making a whole lot more than sewing. There's something very satisfying behind the whole geometry of drafting. The parts simply MUST fit the whole and when it comes together perfectly (or with minimal tweaking), it's like getting an "A+", or an "Excellent" on an essay or assignment you swotted at.

And if you haven't already noticed, I am advertising my services for pattern-making (sheesh - saw that one coming!). So, if you'd like a pattern custom-made for your personal use, or for commercial/manufacturing purposes, you might want to drop me a line or two :) My rates (flat, not hourly) and I are very reasonable to work with.


Wednesday, February 29, 2012

Drafting Part XIII - Using Slopers With Commercial Patterns

This post is long overdue. If you remember the Drafting Series I did with LiEr from Ikat Bag, this article was the last of the series that I did and I always meant to re-post it here...but things got the better of me... 

So here it is in its entirety.

Now that you have a ready and wearable sloper / bodice block, you can adapt it to make any style of dresses, blouses and skirts, limited only by your imagination. If that task seem daunting to you, then use it to make commercial patterns fit your child as though you've drafted it yourself. Hey you took the time and effort to create a good-fit sloper, so you may as well make the MOST of it.

For the sake of clarity, all slopers are shown in RED in this post.

Getting Started

The first thing to do after purchasing your commercial pattern is to look at the back of the envelope or packet and study the sizing given there. If the pattern is for a dress in 2 pieces (ie. a bodice attached to a skirt) where the bodice stops at the chest level, then choose the size that is closest to the CHEST measurement of your child (not the sloper). This could be a little bit more or a little bit less than your child's actual chest measurement. If the bodice stops at waist level, then choose the size that closest to the WAIST measurement of your child. Then take note of the given age defined for that size (2T, 3T, etc). Please ignore the possibility that the defined age is not the same as your child's real age.

For this post, I am going to choose size 2 by way of example.

Next, look for the FINISHED measurements given for that size and note the differences between finished measurements and age-given measurements. In the example below, only the chest measurement will be used for horizontal fit.

finished measurement - sized measurement = ease (style and/or fit)
22 - 21 = 1

Write these numbers down somewhere on the back of the envelope so you will always have it on hand. The difference is the amount of ease built into the pattern. If you have included ease into your sloper (chest, waist, hip), take that much away from the ease calculated for the pattern.

pattern ease - ease included in your sloper
= amount of ease to add back into the pattern after adjusting

1 - 0.5 = 0.5

You must also know how much seam allowance has been added and built into the pattern. This amount is sometimes given on the back of the pattern envelope. If not, you will have to measure the pattern itself across the chest or waist and get the difference between what you've measured and the finished measurement. The difference is the seam allowance built into the pattern.

Seam allowance = 5/8" (22 5/8" - 22")

To simplify matters for you later, draw in the sewing line based on the SA determined. Sometimes the sewing line is clearly marked out on the commercial pattern. In this case, there is no need to figure out the seam allowance in the pattern.

Adjusting the Commercial Pattern

Take the commercial pattern out of the envelope and spread out all the sheets available. Look for the required size (as determined previously) and put a mark somewhere on that size pattern so you don't make a mistake later and work with the wrong one. Do this for all the required pieces.

Next, look for the printed markings where the chest, waist, hip ought to be. Depending on the design of the garment, these markings may not always be marked. A-line, tent-type dresses tend not to have these markings. I will come back to that later and explain how to adjust accordingly. Determined the seam allowance in the commercial pattern as explained above.

I define a dress as a garment that is made up from 2 pieces - the upper torso and the skirt portion. So the following instructions work for a separate blouse and skirt pattern as well.

Upper torso - Place your sloper on the pattern matching the chest line, or waist line (this is dependent on the design of the dress). Trace out your sloper onto the pattern itself. Take the sloper away after tracing.

From the traced chest line (or waist line if you've used that) add in the amount of ease given for the chest (or waist) minus the ease from your own sloper (0.5" in the worked example above) and marked with a point on the pattern. I will call this point (A) for reference later.

To adjust the depth of scye (armhole height), on the commercial pattern, draw a line from the base of the armscye perpendicular to the centre back line. Then adjust the pattern in the following way:

to lengthen - cut the pattern along this line. Place a piece of paper under the cut. Spread the upper portion of the cut pattern until it matches the base of the armscye of the sloper. You will need to place your sloper over the pattern again to match this point. Once you are satisfied, tape the cut pieces onto the paper underneath. Redraw the scye smoothly.

to shorten - crease the pattern along the drawn line and make a pleat according to the amount to decrease. Place the sloper over to check. Tape the pleat own and redraw the scye smoothly.

Now that the depth of scye has been adjusted, draw a line to connect point A to the base of the redrawn armscye.

You are done with the upper torso.

Skirt - the skirt portion of the skirt will start from either the chest or waist line (design dependent). You would have adjusted the pattern at the upper torso according to either one already as explained previously. Adjust the waist (chest) of the skirt like so:

A-line / gathered / pleated skirt - on the upper torso piece, measure from point A to the original chest/waist point of the pattern. Let this amount be X.

You must either add to or substract X from the chest/waist line of the skirt piece. You add if you had to increase the chest/waist line in the upper torso. Subtract if you had to decrease the chest/waist line in the upper torso.

Redraw the side seam.

You are done with the skirt portion.

Sleeve - because sleeves can vary in style, I will only explain how to adjust the depth of scye of the sleeve, which in most cases is sufficient to ensure a nice-fitting sleeve.

On the commercial pattern, draw a line to join the 2 points marking the base of the armscye.

Place your sleeve sloper over the sleeve pattern, matching at the centre line at the top of the cap. Please make sure also that they are aligned vertically as well.

If your sloper sleeve has a longer depth of scye than the pattern  sleeve, remove the sloper pattern. Then slash and spread the pattern  sleeve until the depth of scye is the same as that on the sloper.

You are basically doing the same thing as if you were lengthening for the depth of scye at the upper torso (explained above). Tape down the slashed pattern and redraw the cap at the underarm (red lines).
If the sloper sleeve has a shorter depth of scye than the pattern sleeve, mark on the pattern paper the 2 points of your sloper base of scye. Remove your sloper. Draw a line to join the 2 marked points.

Then crease and fold over along the green line to shorten the depth of scye until it matches the points marked previously.

Redraw the side seams.

You are done with the sleeve.

I define a sheath as a one-piece dress. To adjust a sheath pattern, do as you would for the upper torso of a two-piece dress. However, if it is an A-line dress, there very likely WILL NOT be any marked chest or waist lines. In this case, adjust the pattern for depth of scye only (same method as for adjusting depth of scye on upper torso, described above).

Other Areas to Consider
Shoulder slope - some shoulders are slopier or blockier than the 'standard' (whatever that is). Place your sloper over the pattern, matching at the shoulder points*. Make sure the pattern is aligned vertically as well.

If there is a significant difference between the slope on your sloper and that of the commercial pattern, then trace your shoulder slope onto the pattern paper. Smooth out the neckline if necessary.

If the difference is negligible, then don't bother adjusting, really.

*remember that on a sleeveless pattern, the shoulder point should sit higher on the shoulder line. For a sleeveless pattern, mark a point about 3/8" (1 cm) in from the original point. Use this new point as the reference when adjusting the shoulder slope.

Neckline - your sloper might have a wider / lower neckline than the one on the pattern. To adjust the neckline, place your sloper onto the pattern , matching along the centre line and the shoulder point as much as possible. Trace the sloper neckline onto the pattern paper. Redraw the pattern neckline to match the shoulder point at the base of the neck.

The neck depth should be adjusted only if the pattern has a jewel (round) neckline like that on your sloper. Keep to your own neck depth.

Sheath / Skirt length - this is a no brainer, really. Just lengthen or shorten at the hem.

Design Elements to Consider

If there are gathers, pleating, smocking on the upper torso, I can only advise you to adjust for fit at the depth of scye and then make a mock up to see where else you have to alter. In some cases, finished measurements are given on the envelope back so you have a reference to work with. If so, then adjust chest/waist line of the upper torso by the amount that differs from your child's actual chest/waist measurement and that given for the chosen size. This method will also work for a skirt pattern with pleats/gathers/smocking at the waist.

Last Words

All the adjustments taken above are required for both Front and Back pieces. Adjustments are not necessary for embellishments like sashes, lace trims, binding, because you will only need to increase the amount required by only a little bit. Fabric yardage can remain the same as well because the pattern writers tend to state more than is usually required.

Saturday, February 25, 2012

Well Hello...!

It's been a while, hasn't it? A VERY LONG while since I posted anything of real use. I must apologise, I think, to those few of you who have me on your blogroll or have subscribed to my posts.

The past year and a half has been full of challenges and busy-ness. In October of 2010, I had to take on a part-time job to contribute to the household cookie jar. A desk-bound, computer-screen staring type of job. It was the first time I worked away from home since the birth of my daughter (who turned 4 yesterday!) and it was traumatic for both of us!

Then an opportunity came to expand my tailoring business and I made a go of it...but it took me away from home on a full-time-working-mom basis. I was a blubbering mess for the first 2 months, I missed my baby so! Now she's gotten used it and I've gotten used to it, but as a mom, it wasn't a sacrifice that was worth it. Fortunately, I'm moving the tailoring back home (Yayyy!!) which, hopefully, means I will have more quality ad hoc moments with my no-longer-a-baby-girl.

I must have sewn over a hundred garments last year. In all the various careers and jobs I've had over the years, I've never felt more like a work-horse! My eyes have suffered (have to wear multi-focals), my fingers are dried out and my lower back throbs like a distant drum. But also, never have I enjoyed going to work more (once I got over missing-the-baby bit). And that's something extremely satisfying, gratifying and validating too. Granted that it took me away from my family and the monetary reward was less than I would have preferred, but since I HAD to go find employment, better that I got to really enjoy the work, the environment, the people.

So that's why I've been MIA.

But now I'm ba-ack!

Looking forward to visiting with all of you again :)

Thursday, January 26, 2012

Personally Yours Art Folio

I'm usually at a loss when it comes to birthday gift giving. Other people's children are especially hard to shop for, in my opinion. Children aren't likely to get excited over receiving clothing and photo frames wallets er...

What does one give a child who seems to 'have it all', without spending a bomb on the latest Disney-Fisher Price-Mattel-Hasbro whatever? Faced with this dilemma not too long ago, I wracked my miserable brain cells for an idea (a really good one) for something that I can MAKE and can personalize so that it easily becomes a one-of-a-kind gift.

And I thought of something really simple.

A fabric folio/hold-all for art supplies

...with the child's name appliqued on the folio and printed on the fabric as well!

crayon roll, pencil case, colour pencil roll, marker sleeve

Almost all children enjoy drawing and colouring and using up paper in general. And they all usually have bits of crayons and colour pencils in the home, in the car, in their school bag... So here's a pretty little place to put them in :)

The art folio and 4 hold-alls (crayon roll, colour pencil roll, pencil case and marker sleeve) are available for handmade-order, personalised with your child's name as shown.

The main fabric is a sturdy cotton canvas and the printed fabric is an upholstery-weight cotton. The child's name is digitally printed onto the fabric in 2 colours in the pattern shown and used to make the crayon/colour pencil pockets, the pencil case, the binding, and the applique on the front of the folio.

There are 2 layers of pockets, in 2 heights, for the crayons and colour pencils. So they will still fit in the rolls when they inevitably get shorter.

More details:
  • Folio - sturdied with stiff board inserts and comes with individual pockets to fit the hold-alls and will fit standard-sized drawing block (USD 18.00)
  • *Crayon roll - choice of 12 slots (USD 8.35) or 18 slots(USD 8.50)
  • *Colour pencil roll - choice of 12 slots (USD 8.35) or 24 slots (USD 8.50) --- will fit slim magic markers too
  • Pencil case - approx. 4 x 10 inches(USD 5.50)
  • **Marker sleeve - fits 6 standard-width markers/stamper pens --- example shown is from IKEA (USD 7.00)
*crayons and colour pencils are NOT included.
**Markers are included with the marker sleeve but might be replaced with different ones according to availability.
Pick your own combination of hold-alls for the folio, or enjoy a 5% discount for the complete set (USD 45).
All items are hand-made by me and I stand by the quality of my work.
Bonus gift: Create a link to this post and I will include a free drawing block with your order.

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